#Fear of death tim heidecker professional

I love pretty music, like Brian Wilson might say, but even in dark subjects I want the music to sound pleasing and pretty.”įear of Death, therefore, deals with existential topics that many artists might shy away from, and which Heidcker manages to roll into powerfully wry and anthemic tracks that remind the listener of ’70s classic rock and Americana. I think there’s playfulness in the music. “I didn’t really want to approach it like Nick Cave or somebody would,” Heidecker says, “where it gets really serious and dark. It’s easy to take them as humorous takes on life and death, due to Heidecker’s effortless charm in songwriting and delivery. However, the songs on Fear of Death remain intricately clever and light-hearted. In the face of these rather heavy themes, it can be easy to latch onto darkness. It’s only afterwards that I see that there’s a link with all this stuff.”

“Some of that wasn’t really apparent right away. “This one is like I’m in my midlife crisis kind of reflection,” says Heidecker of the album’s themes, which range from growing older, to existentialism and nihilism, to, of course, death. But after only minimal digging, it’s clear that the album’s material and personnel make Fear of Death a much more serious affair. On the surface, Fear of Death might appear like some of Heidecker’s past albums-records which were firmly entrenched in parody or satire, or explored his penchant for musical pastiche.

#Fear of death tim heidecker professional

And now, with the release of his latest album, Fear of Death, Heidecker has amassed a tight-knit collaborative group of professional musicians (including Natalie Mering of Weyes Blood and Jonathan Rado from Foxygen) to play alongside him. The comedian and musician, perhaps most known as one half of the comedy duo, Tim and Eric, has worked with a range of comedians and musicians in his time. Collaborations are nothing new for Tim Heidecker.